Presented
by
BRIAN CASEY
A research presentation from the
2021 JENX Online Conference
Based on solo transcriptions from select Charlie Haden solos after 1975, this presentation analyses how Haden leverages the use of sequences, patterns and musical rhyme as a prevalent approach, providing cohesion within his improvised solo statements. This attribute can be traced to Haden’s early musical background in roots music.
Brian Casey is a jazz bassist, educator and researcher based in Colorado. Brian serves as Assistant Professor of Academic Jazz at the University of Northern Colorado and earned a DMA in Jazz Studies from the University of Colorado Boulder where he taught courses in Humanities, Jazz Studies, and American Music. While in his third year in his academic appointment, Casey is also approaching candidacy in the PhD in Musicology program at UC Boulder. Prior to moving to Colorado, Brian earned a MM in Jazz Studies from the University of North Texas where he played with the Grammy-nominated One O’Clock Lab Band and served as a Teaching Fellow in Jazz Bass under the direction of Professor Lynn Seaton. Originally from the Pacific Northwest, Brian has performed and/or recorded with Eric Skye, Pink Martini, Weber Iago, Henry Butler, Robert Johnson, MaryLynn Gillaspie and many others. Dr. Casey has presented original research in jazz-related fields at many national and international conferences including those of the College Music Society, the Jazz Education Network and the International Society of Bassists. Brian’s research interests include the intersection of jazz and American literature, politics and society and the role of jazz in the civil rights struggle in America as well as jazz as a cultural phenomenon in New Orleans.
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