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Joe Pass on Relaxin' at the Camarillo: Breaking Down a Beautiful Solo

Presented 

by

REUBEN ALLEN

WEBINAR OVERVIEW

A presentation from the
Jazz Education Research and Practice Journal,
a publication of the Jazz Education Network.


What are the elements of a beautiful jazz solo? Studying Joe Pass’s solo on Relaxin’ at the Camarillo from the album Joy Spring provides great insight. This research presents a transcription of Pass’s solo and illustrates the use of six techniques that contribute to making this a particularly compelling statement.

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ABOUT REUBEN ALLEN

Whether leading a jazz piano trio or composing for orchestra and film, Reuben Allen is an adept storyteller, drawing listeners into the unique experience of every piece. Reuben has been honored to share the stage with Wynton Marsalis, Dianne Reeves, Bernard Purdie, John Boutté, and Bob Brookmeyer, and has performed at the New Orleans, Torino, and Stanford Jazz Festivals as well as at venues including The Blue Note and Dizzy’s Club in New York City. His compositions and arrangements have been performed by the Kenny Barron Quintet at the Village Vanguard, the Houston Symphony Orchestra with The Suffers, the Navy Commodores Jazz Ensemble, and the Eastman Saxophone Project. Reuben’s string quartet arrangement of Aaron Copland’s Hoe Down was performed in Statuary Hall following the Inauguration of President Obama in 2013. As a composer for film, he created music for the documentary “Lives Visible”, and contributed to the feature film “The Second Sun” as co-composer, arranger, and orchestrator.                                       Growing up in Chicago, Reuben was fortunate to be surrounded by beautiful music from a young age, including live jazz of local and touring musicians and classical music from the Chicago Symphony Orchestra. Thanks to his parents, he discovered recordings by Duke Ellington, Oscar Peterson, and Miles Davis, which inspired him to study jazz throughout high school. Reuben went on to earn Bachelor’s and Master’s degrees from the Eastman School of Music in Jazz Performance and Composition/Arranging respectively, as well as the Artist Diploma in Jazz Studies from Juilliard. During these years, he was fortunate to study with Kenny Barron, Frank Kimbrough, Harold Danko, and Bill Dobbins. Reuben spends his time between New York City and Los Angeles where he is an active performer and composer, and teaches courses in jazz piano and arranging at the Juilliard Evening Division. 

 

 

 

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